The horizont has the gift of the ability of entering and escaping.
Principle this abbreviation should expres the openess of the world we live in.
_
Horizont je nadán schopností ustupovat – unikat.
Tato zkratka má vyjádřit ,,principiální otevřenost světa,,
v němž žijeme.
Řeknu -li : ,,mezi,, tak to není žádný obraz, ale není to ani přesně definovaný pojem, i když všichni vcelku
víme oč jde.
Spíše, i když ani to není uspokojivé řešení našeho problému, jde o nějakou ,,představu,, která podněcuje a
dokonce i sama vede nejen naše uvažování, ale i pojednání, stručně řečeno : jde o ,,představu,, která uvádí
do pohybu naše myšlení, ale – a i to, je ozvěna oné ,,,dvojznačnosti čáry,, jenž rozděluje i spojuje, chová v
sobě kontinuitu i diskontinuitu zároveň, tato představa dává pohybu myšlení určitý směr, dokonce vyhlídku
na ,,zastavení,, protože spočinutí v pojmu.
Jenže toto spočinutí je nereálné, protože myšlení má tendenci směřovat do určitého bodu, tam je znechuceno
jednoduchostí, tak se vrací opět nazpět, aby načerpalo novou sílu.
m.p.
motion of idea/digital print A2/
Audio Installation
reading from book ,,Dvojznačnosti čáry,,
lenght 22’18”
. script
. revide manuscript
. print version
. translate version
print: logos I.
2O pieces of poem collection, reading 17.2.2010 v Ústí nad Labem
border
commission
views
opinion
installation blackandwhite prints format A4, A3
action with artist book: prophet
board bitch board
bitch board bitch
board bitch board
bitch board bitch
board bitch board
bitch board bitch
board bitch board
bitch board bitch
board bitch board
bitch board bitch
board bitch memorial
board bitch board
object: board bitch
object: untitled
* detail
*english text 
* czech text
installation: STORY WITHOUT END (chaps)
*Story without end is a collection of overphotographed reproductions of a famous book of Ernst Gombrich “ Story without end “. By the lighting, its previous subject lose their purpose / sense. Overlighted reproductions of reproductions, become in a sense maybe closer to the original meanings, as it might seem throught the illustrations used in Gombrich´s book.
installation: STORY WITHOUT END (prologue)
installation: Perfect human
*Architect Karel Prager – blind memory
The building of a National union, later on, renamed to a bulding of Federal union.
Significant architectural commission, projected with a strong political background.The biggest
and the most talked about investment in the centre of Prague not only in the 60ties. Only today, after time has passed and we got rid off ideological balast – this monument can become as a good example of changes of values over generations and our perception of architecture and its functions.
*If we want to say something, it is necessary to speak, overcome the border, make a
sense,to use a word, but it doesnt mean, that what we want to say, must be heard
and that, which is not heard, can not speak.To see what is behind the wall, one has
to cross its border.In order to know, if there is something behind the wall, it is
necessary that there is something exceeding the wall.The wall is the border, which
speaks to us to use an aid, very often we use something that makes things easier,
to see, to understand,which we wouldnt be able to without using aid.
Three situations ,,READING TEXT SOUND RECORDS ,,.mp3
* detail
* certain step back from the art, can be a possible move towards understanding of it.
*Collection of three prints devoted to a norwegian sailor Thor Hayerdal, who tried to reconstruct
voyages of old civilizations, as his attempt to devide reality from myth.
The third print is a photographic record of a line, drawn across a text of postmodern Slovenian
philosopher Slavoj Žižka.
series of three prints format A3
installation: Construction is being build from the bottom, text is read from left to the right, so what is the way to read
architecture?
instalace: Architektura se staví od základu, text je čten z leva doprava, jakým způsobem číst architekturu?
year: 2009
photos
a/ the faith wandering
b/ extended reflection
>2007-project-ears documentation.pdf
A replica of an army device from the beginning of 20th century. The device was used as amplifying sound mirror to detect enemy’s army.The replica was placed in one of Brussels’ public spaces and in Doel, a squatted village in Belgium.(In collaboration with Aleš Čermák and Jan Trejbal)
Documentary film ,Doel,, with artist Viktor Takáč, Janek Rous, Pavel Sterec
